By: Amiel Aguilar Cabanlig
A comment made in an earlier post in DV made me reassesses the direction of Victorina ;
“Why do (comments) always disappear when no pop culture personality is mentioned?"
Indeed there has been too much worthless tumult over the ongoing ruckus on the Internet’s Kho-Halili sex video. While the comment made does carry much credence, it fails to co
nsider that scandals have customarily served as precursors to eminent societal upheavals.
Sex sells!
Senator Jinggoy Estrada and Senator Bong Revilla know this very well (only 3 “media hungry” Senators were present) - this is why they wanted media to join the hearing on the sex-scandal in aide of legislation. After rouge ex-policeman Abner Afuang threw water on Hayden, the Senate hearing chaired by Sen. Jamby Madrigal began to look like a sequel of "Dumb and Dumber".
There is a very inquisitive analysis made by Manila Times columnist Mao Samonte on this topic; “from 1969, to 1979, up to 1989, crises in politics and in the economy have been preceded by a marked rise in sex movies, a rise that each time is characterized by a name distinguishing it from the others. The bomba of 1969 gave way to the wet look movies (started by Celso Ad Castillo) of the 70s, which evolved into the sex trip, or ST films of the 80s and eventually into the TF (titillating films) of the 90s.
Sex in Philippine cinema is a continuing phenomenon that occurs at intervals of a decade, with the year “9” of each decade being the point of rise in the phenomenon. Now we’re into year “9” of the first decade of 2000. Surely Philippine politics and the country’s economy are never wanting in crises from which the people must be appeased and tranquilized: the unending controversy on extension of political terms, Cha-cha and the mode for bringing it about: poll automation, “Joc-Joc “ Bolante, swine flu, the explosive scenario in Mindanao etc.”
The Aquino administration was marked by several deadly coup attempts and the unstable nature of the country was reflected in the film industry. Director Chito Rono tried to make sense of the brouhaha and made the movie “Curacha; Ang Babaing Walang Pahinga.” Curacha was portrayed by no less than Victorina’s avid supporter, the ever FLAWLESS Rosana “Osang” Roces.
As Curacha, Osang goes through the underbelly of life; first having sex with a General that would later decide the fate of our country. She tries to numb herself with drugs, she proceeds dazedly and the film rather meanders until reaching a dead end. This blockbuster movie received an X-rating from the MTRCB.
According to Mao Gia Samonte; the efflorescence of sex genre in Philippine cinema continued well into the 80s, continually giving rise to new screen seductresses. Stella Strada made Kirot in the year Ninoy Aquino was assassinated. She made one sex blockbuster after another even as the cities and the countryside (the NPA had reached a record high 25,000 regular) were convulsing toward the EDSA Revolt in February 1986… That was in 1989, the year I launched Maita Soriano in Gatas. The sex genre, for quite a time dominated by action and drama, was thus revived, and once seized upon by other producers, sex films contributed to satisfying the people’s hankering for entertainment, peace and tranquility.”
This YEAR 2009 we would have seen the resurgence of Sex in Philippine movies.
But with the Church and its “traditional moral disciples” like Sen. Bong Revilla and Henry Sy getting along the way of history we get personal squalid videos of Hayden Kho disseminated in World Wide Web instead!


















